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Garden

Susan C. Ramirez • Jun 04, 2024

     A friend once advised me that a garden is a work of art that is never truly finished, and she was right. I began work on Stone Harvest’s current flower gardens thirty-eight years ago, shortly after I purchased from my father, two uncles, and four other gentlemen the land in Lightfall Hollow they had jointly owned as their hunting ground and family retreat since I was a toddler.


     It is astonishing to look back now and realize those seven men were then about the same age I am today. At the time, I thought they were old, and that was sad. But now, as I hurtle toward seventy, I see advanced age as when the pieces of the puzzle that is any person’s life begin to come together. The last season of earthly existence a golden opportunity to achieve great insight, spiritual depth, and, if one is both extraordinarily lucky and hardworking, maybe even wisdom. Provided basic human needs are met, and there is love, beauty, and living in relative peace, comfort, and dignity, the autumn is a wonderful time to be alive.


     Anyhow, thirty-eight years ago, the seven gentlemen were ready to let go of Lightfall Hollow, and I was given the privilege to have more wholly in my life the mountain woodland hollow I had fallen in love with from atop my father’s shoulders. I put it that way because I know I do not truly own this land. Whatever is the power that originally created and subsequently creates anew this piece of heaven every moment of every day and night is the rightful owner. I am simply the caretaker.


     I take my job very seriously. Although sometimes I wonder what, not only the seven, now deceased members of the hollow’s original hunting camp, but also the indigenous people who hunted here for centuries prior would think of all my flower gardens invading their wilderness. But I have received no hauntings from angry ghosts, so I assume everyone is okay with my makeovers.


     When I began my floral transformation thirty-eight years ago, the only humanly planted flowers here were the daffodils that still bloom each spring on the steep hillside between the hollow’s road and the pond my dad and uncle built. It was just those cheerful, yellow daffys and, oh, yeah, those wretched multiflora rose bushes. Their dense, impenetrable thickets were everywhere. They smothered the woods and made the banks of the pond I swam in as a little girl impossible to walk.


     Those horrible excuses for flowers were intentionally planted by my dad and uncle back around 1960 or so because the state of Pennsylvania was handing them out for free, and the two unwitting men thought the plants, them being roses and all, would make a lovely surprise for their wives. I can still hear my father’s voice, “Your mother will be so pleased.”


     Well, maybe she was. However, what a mistake those multiflora roses turned out to be. Pennsylvania had not done its homework. The plant the commonwealth thought would provide erosion control, restore wildlife habitats, and make living fences for livestock turned out to be an exceedingly invasive, noxious weed that has ever since ravaged countless acres of idyllic countryside.


     For years, I spent long days hacking away at those rosebushes from hell. By evening, I would be covered in bloody stab wounds. Eventually, I got the nasty devils somewhat under control, but not eliminated. Every winter, I still go on a search and destroy mission, cutting down and ripping out those godawful multiflora roses.


     On the upside, when my dad and uncle were still living, their rosy blunder gave me an excuse to lovingly kid and trade friendly barbs with two men I adored. Even now, when I hack away at the multiflora roses that still rear their wicked heads upon this divine piece of Earth I am honored to call home, I cannot help but remember my dad and my uncle, and despite the pain of

wounds and loss, I smile a fond smile.


     Many of the other flowers here in Lightfall Hollow, both those that are wild and those that I cultivate, are also bearers of warm memories. Lilacs and violets evoke recollections of my mother. It was always a toss-up which one of the two was her favorite. While the only flowers I remember her growing were a Peace Rose, a pussy willow, and a small plot of zinnias. I suppose that was because our family home, a nondescript suburban duplex, had as its only green space a tiny backyard. Sandwiched in between the characterless house and the dilapidated garage, it was a meager, blah patch of hard, bare dirt.


     Yet, my mother turned a good half of that lifeless, little backyard into a vibrant garden of Peace Roses, pussy willows, and zinnias. It bothers and disappoints me to no end that I have never had much luck with either tea roses, pussy willows, or zinnias.


     Tea roses, I can understand. They can be greedy spoiled brats. On the contrary, pussy willows and zinnia should be child’s play to grow.


     Except I learned a long time ago that I do not get to choose the flowers that will grow in my gardens. Rather, the flowers that will grow in my gardens choose me. Apparently, tea roses, pussy willows, and zinnias are not all that crazy about me. I don’t know why, and when I ask them, they remain silent.


     Luckily, fairy roses, Robin Hood roses, and even a climbing Queen Elizabeth do seem to like me. Then there are the slippery willow shrubs my husband and I planted along our creek as a restoration measure. Their catkins may not be as big and fluffy as the fur-like buds on my mother’s pussy willows, but they are still sweet and kitteny. As for the zinnias, this year I am giving them one last try. Although I say that one last try thing about me and the zinnias every year.


     Despite multiple failures, I keep trying to grow those many-petaled, vividly colored, spicy fragranced, statuesque flowers because they remind me so much of my mother. Zinnias are strong, resilient, tough. They persevere under even the harshest of conditions. My mother was like that too.


     She was also the most difficult person I have ever known.


     Yet, the thing is, I also learned a long time ago that a difficult personality is one of the ways an indomitable spirit manifests itself. And my mother was an indomitable spirit. Truly brave. She never gave up. I am so lucky she was and will always be my mother.


     So, of course, I keep trying to grow zinnias. It’s a matter of praise. A grateful homage to a beloved.


     Which is a fair piece of what the flowers in my gardens are. They’re living commemorations. They bring back memories and celebrate people who helped and will always help me know life as the wonder it is.


     Included among these flowers are the ones gifted me by fellow gardeners. I have many, and they are particularly special to me. Which brings up another memory.


     When I was living outside of Washington, D.C., at the intersection of two busy streets in Annandale, Virginia, I gardened there as well. One autumn day, as I was tending my garden, an older gentlemen appeared at my side. He didn’t say much. As abruptly as possible, he told me his wife had died of cancer the year before, and now he too was dying of the disease. Then he shoved a dirty paper bag in my hand and said, “Here. These were my wife’s She loved them. Now, I want you to have them. I figure you’ll know what to do with them.” Then he turned and walked away.


     The bag contained tulip bulbs. He had not stored them properly, and they were rotted. I planted them anyway.


     The next spring, a single red tulip bloomed.


     When I left Annandale, Virginia, I did not take that one live bulb with me. And here at Stone Harvest, I don’t even try with tulips because the wildlife eat them as fast as I can plant them. Nonetheless, each spring, when I am down on my knees, digging in the dirt, luxuriating in the good earth’s rich, warm smell and feeling its vitality cleansing my gloveless hands, I recall that sole red tulip. And I remember too the brusque gentleman of few words and his wife whom I never even met in person, and I feel like they are with me, and we know each other well.


     Another example of how people, as it is with my mother, are like gardens. Works of art that are never truly finished.

Garden

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By Susan C. Ramirez 03 Sep, 2024
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Here at Stone Harvest, hundreds of daylilies are blooming like there’s no tomorrow. Their impulse is correct. A daylily flower lives for only one day. When night falls on that day, its petals contract and tightly close around its fertile center, ending any chance for further creation. By the next morning, all that is left of what the day before was a glorious, prospering, living being is a wilted, mushy corpse. I always feel a little sad when I pinch off the dead daylilies and drop them in the dirt. Their existence was no more than a fleeting beauty. But that’s life. I also feel grateful. I feel grateful because the fleeting beauty of daylilies makes the world more enduringly beautiful, and I am convinced humanity needs nature’s beauty to survive. I likewise appreciate the daylilies’ quality over quantity lesson. One that comes with a warning that tomorrow is not a sure thing. It is ever amazing to me how much plants have to teach. I guess that is why I can never seem to let go of the kooky notion that the flora among us are intelligent, conscious beings. Whether smart and aware or not, daylilies grow like crazy for me. Currently, I have daylilies blooming in colors of buttery yellow, creamy white, delicate pink, deep rose, soft peach, radiant coral, intense apricot, eye-popping scarlet, a purple so rich it is almost black, a velvety maroon, and a classy mauve splashed with violet. In addition, there are daylilies with petals of fiery orange striped with a burnt orange. Others have petals that begin as bright yellow, move on to royal purple and end as dirt brown. That doesn’t sound beautiful, but it is beautiful and somehow a bit human as well. Yet, the daylilies I most wish to emulate are the ones with sanguine petals and centers of gold. Much as I would prefer the word heart, according to the American Daylily Society, the center of a daylily flower is called a throat. While daylily throats do come in other colors, most of mine have throats in shades of gold, yellow, or chartreuse. All have fuzzy-tipped stamens, anthers coated with pollen, that extend from their centers to almost beyond the end of their petals. They make the daylilies look like they are sticking out their tongues. So, when the daylilies and I get together, I stick out my tongue too. Silly, I know. But it is how I relate to the daylilies. It is how I imagine together we mock the painful brevity of our lives. And I must say, my childish sauciness makes me laugh, and I am happy! Of the many daylilies that flourish in my gardens on the slope of the pond and alongside the creek, the one that is my favorite is not a cultivar like the others. It is a wildflower. It is often called a tiger daylily. Which is not to be confused with a tiger lily. Since a tiger lily, according to botanists, is a “true” lily. Like all true lilies, it sprouts from a bulb. From its throat through the tips of its petals, the tiger lily is a vibrant orange speckled with dark spots. Its petals curve backward to such an extent the whole blossom droops downward. Blooms last for a week or more, making the tiger lily an excellent cut flower. (Apparently, at some point, someone decided the orange true lily with dark spots resembles a tiger’s fur, and that’s how it got its name. Be that as it may, every tiger I’ve ever seen had no spots. They had stripes. Go figure.) As for the tiger daylily, like all daylilies, it grows from tuberous roots. Its petals too are a vibrant orange color, streaked and highlighted with an even more striking red-orange and coming together in a center of autumn gold, usually streaked with a bit of spring green. Its petals curve only slightly backwards. The blossom is upward facing. For the reason I hope I have by now made clear, the tiger daylily, while as beautiful as the tiger lily, makes a disappointing cut flower. 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Whether outhouse lilies playing a role in women’s progression is an actuality or a product of my imagination, I have no way of really knowing. I will additionally admit that if there is one thing I know about imagination, it is that it is always reaching for something to connect with and build upon. Because, of course, not even the most powerful imagination can create from nothing. Consequently, in its exuberance, it often overreaches. Nonetheless, I like how imagination stretches the mind, loosening it up and leaving it more flexible. Comparable to a yoga session that afterwards makes the body feel, as a friend of mine describes it, deboned. Not just tiger daylilies, but all daylilies are exceptionally drought tolerant, and for this, I am also grateful. 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